Last Sunday I attended the introductory meeting of the 16th edition of the 24-Hour-Exhibition. I was so excited to hear there was another one planned because the last one was 4 years ago and I was not able to take part. While at the meeting, which was actually sort of a pot luck breakfast that went from noon to evening, I was asked by one of the organizers how many times I participated in the exhibitions. I was surprised to recall that I was actually in 6 of the 8 that I could have possibly signed up for.
The title of the next exhibition is "Optimaler Schnitt" (Optimal Cut). I must propose my idea for work to exhibit. It should be new work that goes along with the titling theme. I have had several discussions with my students in gr.11, my family, and friends about how I could interpret this theme. It is amazing how some things just come together. I immediately felt that the current transition of art teacher to artist-teacher and establishing myself as an artist was metaphor that truly expressed the theme. This blog and the series of posts since October seemed to be screaming "Optimaler Schnitt!" Therefore this 24 hour exhibition should become the first exhibition of new work produced under this new mindset. It will be the first exhibition since attending the Artist-Teacher Workshop in Pisa. It has given me a deadline. April 12th at 0:00 a collection of work needs to be completed and on display!
The "Optimaler Schnitt" seems to be a break or a change in the flow of a normal event; where a surprise or something unexpected takes place. The paintings that I am planning are of frozen moments where the viewer is visually invited to become part of the scene or situation.
I am trying to set the elements in the paintings' compositions in a series of three. The paintings should have one main narrative but three possible separate parts. Each part represents a different perspective in the events taking place. Some paintings will allow the viewer to experience the third point of perspective, encouraging the viewer to then become an integral part of the narrative and forced to not only view a set of optimal cuts, but be forced to contemplate their own.
|All five canvases have a maximum length of 160 cm.|
|All five are stretched with canvas and primed with gesso.|
|Here two of the five with similar colours have been completed with the first coat of oil paint.|